Bridges and Threads and Sundaes: Connecting Our Kids to Those Who Would Love Them, But Are Dead

My Mom died when I was pregnant with my first child, a daughter who was named for her.  Four years later my daughter died.  And five years after that my Dad died.  Three of the most important and loved people in the world to me will never be known by my two sons.  That just plain sucks.

As a child myself, I was born with three grandparents, as my Dad’s father had died when he was just 18.  I knew my paternal grandfather’s name, but not much else.  He was never real to me in the same way as my three living grandparents.  My Irish grandmother died when I was just seven.  I was named for her, Sheila being the Gaelic form of Celia.  I remember a bit about her, but not much.

Oddly, I remember snapshots from my grandmother’s funeral that are still potent.  I wore a red calico print skirt with matching shawl to her graveside service.  I loved that outfit, as it made me feel like Half Pint from Little House on the Prairie.  A cricket landed on my sleeve and I wanted so badly to scream and shout and jump up and down to get it off of me, but I didn’t.  At seven, I was old enough to appreciate the solemnity of the situation, so my cricket freak out was silent.  I remember seeing my Dad cry in the front seat of the car as we drove away from the funeral home, telling my Mom he was an orphan now.  He was 44.

My other grandparents died when I was in my early 20s.  My memories of them are fond and much more well grounded.  I can easily recall details about their East Side bungalow, the smell of their basement, the tile in their bathroom, the grape arbor and vegetable garden in the backyard, the drips from the small window air conditioning unit that would fall on my head as I played in their gangway with my cousins.

They were kind and loving and generous and my life is a better one for having known them.

My sons will grow up knowing and loving two of their four grandparents (*my youngest, who is adopted, will have a more complicated relationship to all of this, I know, as he has biological grandparents, too).  Given that my oldest boy was six when my Dad died, I am aware that his memories will be there, but tenuous.  My husband’s parents are super grandparents — loving, generous, supportive, interested, but, alas, from a distance, as half the country separates us.  I wish my boys were able to have a more day-to-day kind of relationship with them, but feel grateful they are as present and involved as they are.

The question for me, then, becomes one of how to make my Mom and Dad (and daughter/sister) real to them in a meaningful way. How do you make the dead come alive?  How do you create a sense of relationship to someone they never met, or only knew as an infant or young child?  Is this even possible?

grandparents

I’ve been thinking about this a lot, as my brother and sisters and I got together last week and pored through boxes and boxes of family photos, scanning and separating until we couldn’t see straight.  I felt a deep relationship and connection to my Mom and Dad during this process — one that feels deeper after seeing both their lives, from childhood through death, be sorted and scanned in such a concentrated period of time.  81 and 70 years condensed into 48 hours.  Would these photos matter to my boys? Will I hang on to them, clinging to my connection, only to have my sons discard them after my own death?

Ugh.  And sigh.  And sniffle.  And ugh.

I felt a bit of hope while scrolling through Facebook the other day when I saw a friend post a photo of he and his daughter enjoying ice cream in honor of his Dad, gone many years before his granddaughter was born.  The ice cream sundae was a tradition, a connection to a father and grandfather gone too soon.  There was joy in the photo, potent joy, that transcended hot fudge and cherries.

Seeing the photo helped me realize the power of storytelling.  Stories are how my boys will come to know their sister and grandparents as people that would have loved them silly, given a chance.  An ice cream sundae can magically transform into a bridge when its story is told.  An ice cream sundae can be the invisible thread that connects father and son and granddaughter.  It is possible.

Grief can lead to helplessness and isolation, a shutting down and a retreat.  But at its core, grief is evidence of love, an intangible residue of the relationships that were, the people that existed once, but are no longer.  When those people we grieve are people that would have loved and enriched our children’s lives, the onus is on us to find that bridge and thread that can connect them.

My boys are young — 8 and 3.  I still have the opportunity to tell the stories, hang the pictures, buy the sundaes and do my best to flesh out the grandparents and sister that are not part of our day-to-day, but who would have made their lives immeasurably better. Anything I do will be a poor substitute for living grandparents and sister, but it is so much better than nothing.

Bad, Bad Leroy Brown: The Funeral Recessional That Never Was

This post is part of ChicagoNow’s monthly “Blogapalooza” feature where bloggers are provided a prompt and required to write and publish a post within an hour.  Tonight’s prompt was this:  “Pick a song that has special meaning to you and explain why.”

My Dad’s been on my mind a lot today.  Probably because the first thing I saw this morning when I flipped on the old Facebook was THIS – a collection of photos and memories chronicling my Dad’s last months before he died.  It was a horrible, horrible time for my family.  Something I feel I am still reeling and recovering from in many ways.

Then tonight, dishes done, kids in bed, getting ready to settle in for some serious binge watching of something, anything, our landline rang.  Yes, I still have a landline, it’s true.

It was a volunteer for the local Democrats looking for my Dad.  Inexplicably, I heard myself saying, “John Quirke is dead.  May I take a message?”  What the what?  Not exactly certain how I might deliver that message, but the offer was out there.

The volunteer politely declined, offered his condolences, and clearly wanted to get off the line.  Yeah, but no, I was still talking, grateful for the connection to my dead Dad, someone looking for him, calling for him, reminding me that in odd little ways, he was still a part of the world.  I started chatting about him, reassuring the man that had my Dad still have been alive, he would have been a lock for Hillary.  And I just kept talking, providing more reassurance that my Dad’s four kiddos were also good for Hillary votes.  There was an awkward, “That’s great!” from the other end of the phone, then the call was over.

I smiled, thinking that while my Dad wasn’t successful in passing along his deeply entrenched Catholic faith to any of his four children, he did manage to solidly pass along his Democratic faith to those same four kiddos.  I wondered, as I never asked, which of those might have been more meaningful or important to my Dad.  I honestly don’t know.

I own that while I don’t practice the Catholic faith, I am marked by the cultural significance of growing up Catholic — something that is simply part of my fiber.  Familiar traditions, spoken prayers, comforting memories of childhood.  As the siblings of my parents die, I will lose my last tangible connection to the Catholic church.  My Dad’s funeral may very well be the last time I would step foot in the church and parochial school that was my home from kindergarten through eighth grade.  So many happy memories there, so many challenging ones, too.

Me and my Dad, c. 1979.  This photo was taken at a wedding where he would have definitely danced to "Bad, Bad Leroy Brown."
Me and my Dad, c. 1979. This photo was taken at a wedding where he would have definitely danced to “Bad, Bad Leroy Brown.”

When my Mom died, my sister and I both delivered eulogies.  It was never in question and simply worked into the funeral mass.  That same sister and I both expected to eulogize my Dad, ten years later, when we were surprised to learn that families were no longer allowed to eulogize a loved one or provide any kind of personal remembrances at the funeral mass.  Catholic practice now demanded that funerals be focused on God and faith, and not so much on the deceased.

Hearing that was crushing, I’ve got to say.  I’ve delivered four eulogies in my life and each of them has been my love letter to someone I miss dearly.  My personal goodbye, a way to put into words a sliver of what loving them had gifted me in life.  I did this for my Mom, then my daughter, my aunt (a nun herself), and had mentally crafted the words to my Dad’s eulogy for the past twenty years, since my Dad suffered his first heart attack at age 60.

My sister and I bickered about it at the funeral home.  I was stunned and bereft, full of words that needed to be spoken about my Dad, for my Dad, the last time I would ever stand next to his body before it was committed to the earth.  And I was being told no.  It was unacceptable.

I arranged for the funeral director to call the priest directly, the same priest from my childhood, a man my father had had a very complicated relationship with after the good father simply forgot to show up to the mass where my parents were to renew their marriage vows in honor of their 25th anniversary.  There was a church full of friends and family who had flown in to help celebrate a silver anniversary but no priest, so no vows.  Worse was his refusal to apologize to my parents.  It put both my very Catholic parents off going to mass for a few years.

Anyway.  Fast forward to me literally begging this father, the holy one, not the biological one, to be able to eulogize my Dad.  I pleaded and appealed, hoping to find his humanity.  “Three minutes,” he said, “I’ll give you three minutes, but then I’m cutting off your mic.” I expressed tremendous gratitude,  but all I could think to myself was, “Yeah, peace be with you, too, buddy.”

I laughed after hanging up the phone, remembering, from the fantasy funerals for my Dad that had played out in my head for the past twenty years, that there was no chance in hell I would be able to get to hear the song I had always imagined would play as his recessional — the song that is played as the casket is carried out of the church after the funeral mass.  That song being Jim Croce’s “Bad, Bad Leroy Brown.”

Bad, bad Leroy Brown from the southside of Chicago, baddest man in the whole damn town, meaner than a junkyard dog.

That song transports me to my years of childhood, watching my parents dance to it at all of my cousin’s weddings, and I had a lot of older cousins.  I loved to watch my parents dance.  They had a complicated relationship, my folks, but they always made sense on the dance floor.  They met at a dance hall in 1957, the Holiday Ballroom.

So, yes, I didn’t push the idea of Bad, Bad Leroy Brown as my Dad rolled out of church for the last time.  I was happy with my three minutes.  But tonight, this one is for Da.  Take it, Jim Croce, and for those of you at home, this works best with the volume up, way up.

The Little Louis CK That Lives On My Shoulder

A couple of weeks ago my husband surprised me with tickets to see Louis CK.  It was a birthday gift and a rare night out for the two of us.  Just two middle aged folks out on the town hoping for a few laughs.  What could possibly go wrong?

HA HA HA HA HA!  Have you ever heard Louis CK’s humor?  It is heavy as hell.  The man somehow manages to make suicide, depression, anxiety, divorce, isolation, and certain doom funny.  I spent the evening cackling and saying, “OH MY GOD!” to no one in particular, the exclamation to the good Lord above being non-voluntary, as I simply couldn’t believe I was laughing at what I was laughing at.

Was it shame?  Was it discomfort?  Was it fear?  Seriously — I left that theater wondering what it was about me that allowed me to laugh at a little old lady named Rose, recently widowed after 50+ years of marriage, all alone in the world after the death of her beloved — Rose being one of the characters Louis used to poke fun at all of humanity.

A day later it hit me.  I laughed because I have a little Louis CK who lives on my shoulder.  His voice is there, telling me life sucks and that love is an illusion.  Sometimes the voice is loud, sometimes it is a whisper, but it is there, always.

Photoshopping courtesy of Mary Tyler Dad.
Photoshopping courtesy of Mary Tyler Dad.

When I am honest with myself, as Louis CK challenges all of us to do, I can admit that, yes, I wonder what exactly the point is of any of it.  I’m not religious, so the whole God thing is lost on me.  I married an atheist who pretty much believes that when we’re done, we’re done.  There is no promise of happy reunions for either of us.  The concept of a happy heaven where all my dearly departed beloveds sit down to a celestial family dinner, all together now!, isn’t really something I believe in, despite hoping for it.

What a bummer.  Trust me, I know.

Topping all of this Louis CK angst off was that bright and early the next morning, I had committed to talking to a group of social work grad students for a seminar on finding meaning in loss.  Pffft.  Seriously, Louis CK could not have written a better joke than me organizing my thoughts on surviving the loss of my four year old daughter to cancer after listening to his set.

But, and here’s the kicker, I did survive.  I am surviving.  Survival is a verb, yo, something I have to commit to each and every day. And, I would venture a guess, that Louis CK would say that surviving is what all of us are trying our best to do.  Regardless of what our burdens are, mine happens to be the death of a lot of people I love dearly with a sprinkling of mental illness for flavor, we are working hard to show up and not disappoint those who need us.

Louis CK uses humor to cope.  It works for him.  Sometimes, it works for me, too.  Truth be told, I am grateful for that little hilarious CK that sits there, whispering in my ear.  For all of his jokes about human depravity, and the pointlessness of it all, the man is quite perceptive to the beauty that surrounds us.

If you watch his FX show, Louis, you will see that for every joke about sagging balls and being fat, there is some gorgeous shot that makes a New York subway and all its weary inhabitants look like the most profoundly moving symphony you have ever seen.

Life is beautiful.  It’s cruel and meaningless, sure, but damn, it is so very beautiful, too.  Louis CK and I know this, which is how and why we can laugh.